THE RETURN OF DR. MABUSE On Blu-ray From Eureka

 

THE RETURN OF DR. MABUSE (original German title IM STAHLNETZ DES DR. MABUSE) is the first sequel in Artur Brauner's Mabuse series. Brauner didn't get on all that well with Fritz Lang (no surprises there), so Harald Reinl took over the directorial reins. 

In RETURN, Gert Frobe comes back as well, this time as Inspector Lohmann instead of Inspector Kras, although it's basically the same role. (Lohmann was the police official in Fritz Lang's original M and THE TESTAMENT OF DR. MABUSE.) Frobe is joined by Lex Barker, who plays stalwart FBI agent Joe Como. The duo investigate a series of strange assassinations, which are somehow tied into a prison. Is the sinister hand of Dr. Mabuse behind it all??

THE RETURN OF DR. MABUSE fits more into the basic Krimi formula, which is no surprise, considering that Harald Reinl initiated the genre with the Edgar Wallace adaptation THE FACE OF THE FROG. RETURN is more brutal, and more action packed, than the first CCC Mabuse film, with a woman being killed by a flamethrower and a blind man being slammed up against a wall by a large truck. Mabuse's main goal in this entry is to gain access to a mind control device, so that he can create armies of men totally under his command. The climax features a motley group of convicts being sent by Mabuse to attack a power station, but the supposed super soldiers are a tired-looking lot of middle-aged men who appear more down and out instead of dangerous. 

The movie does have a nice pace to it--Harald Reinl wasn't on the level of Fritz Lang, but he was a solid, commercial filmmaker who made crowd-pleasing products. THE RETURN OF DR. MABUSE is a well-made thriller with plenty of fantastic elements to it. 

The MABUSE LIVES! set from Eureka has THE RETURN OF DR. MABUSE on the same disc as THE INVISIBLE DR. MABUSE. THE RETURN looks and sounds splendid, with a very sharp 1.66:1 black & white print. The audio brings out Peter Sandloff's wild music score. German and English audio dubs are provided, along with English subtitles. 

In Tim Lucas' introduction for THE RETURN, he discusses the movie's screenwriters Marc Behm and Ladislas Fodor, along with the career of Harald Reinl. David Kalat's audio commentary also discusses Reinl, with a long anecdote dealing with the director's association with Leni Riefenstahl. Kalat states that he loves THE RETURN, but he spends most of the first half of the film detailing the creation of the Rialto Edgar Wallace series. An original German trailer for the film is included, along with an American trailer that gives the movie's title as THE PHANTOM FIEND, and makes it seem like a low-budget monster flick. 

Also included is a half-hour interview with Alice Brauner, the daughter of Artur Brauner. She gives some intriguing insights into her father's life, the entire Mabuse series, and what the CCC company (which is still going strong) is up to now. Ms. Brauner also provides an amusing aside concerning Jess Franco. 

THE RETURN OF DR. MABUSE had a DVD release on a Mabuse set from good old Retromedia, but Eureka's version is by far the ultimate presentation of the film. I'll be covering the rest of the individual entries in the MABUSE LIVES! set in the future. 

THE 1,000 EYES OF DR. MABUSE On Blu-ray From Eureka

 

Eureka's amazing MABUSE LIVES! box set starts off with THE 1,000 EYES OF DR. MABUSE, the very last feature film directed by the redoubtable Fritz Lang. (The movie's original title is DIE 1,000 AUGEN DES DR. MABUSE.) 

Made in 1960, 1,000 EYES acknowledges that the original Dr. Mabuse died in the early 1930s. Now, in present day Berlin, someone--or some group--is recreating the crimes and methods of Mabuse to gain power and wealth. This new master criminal genius has affected the lives of a number of people, and most of this group has a connection with the Hotel Luxor, a building created by the Nazis in 1944 for the express purpose of spying upon the international clientele that would be staying there. A rugged police inspector (Gert Frobe) and an American businessman (Peter Van Eyck) attempt to come to grips with the new Mabuse's schemes. 

Paranoia and voyeurism abound in this film. Nearly every major character is acting under an alias, or pretending to be something they are not, and Fritz Lang constructs the story in such a way that the audience is never really sure what they are being presented. This is a movie in which one must pay attention--and it's also a good idea to watch it again after a first viewing in order to understand how the pieces of the puzzle fit. Fritz Lang was 70 years old when he made 1,000 EYES, but this definitely doesn't feel like the work of a past-his-prime old man. The film has a determined momentum to it. 

Peter Van Eyck isn't the most captivating of leading men, even though he would play the hero in a couple of the later Mabuse films. In this type of movie one starts to think that he might turn out to be a bad guy. Gert Frobe gives a solid foundation to all the bizarre aspects of the story as the down-to-earth and realistic Inspector (he too would make return appearances in the Mabuse series). Dawn Addams (who ironically gets lead billing in the main credits) as the leading lady is someone else the audience can't be all that sure about, and Wolfgang Priess is the "new" Mabuse....or is he??

The supporting cast is spiced with a number of faces well known to Euro Cult fans. Werner Peters (another Mabuse series veteran) plays an insurance salesman who tries so hard to be ingratiating to everyone that you just know there's something going on with the guy, and there's also Andrea Checci (from Mario Bava's BLACK SUNDAY), Howard Vernon (who appeared in several of Jess Franco movies), and Krimi veteran Albert Bressler.  

Eureka presents THE 1,000 EYES OF DR. MABUSE uncut, and in its original 1.66:1 aspect ratio. The visual quality of this black & white film is superb, as is the sound of the original German voice & music track. An English dub is provided, along with English subtitles. 

The extras include a 12-minute introduction by Tim Lucas (it was his VIDEO WATCHDOG magazine that got me interested in the Krimi genre in the first place). We hear Lucas speak while stills from the movie are shown onscreen. Lucas does a fine job setting up the entire set, giving info on the original Mabuse films, and how Fritz Lang and producer Artur Brauner wound up getting together and making this film. An audio commentary by David Kalat, recorded in 2009, is also here, and it's a good one, with Kalat examining Lang's directorial choices, the movie's unique story structure, and comparing it with PSYCHO and PEEPING TOM, two other 1960 features made by acclaimed directors that have similar themes. Also included is a trailer for an American release of the film, in which it was re-titled EYE OF EVIL and promoted as a straight horror film (which it isn't). There's also an interview with Wolfgang Priess himself, recorded shortly before his death. THE 1,000 EYES rates its own disc on this MABUSE LIVES! set. 

I don't believe that THE 1,000 EYES OF DR. MABUSE has ever gotten a major North American home video release before this, and it certainly deserved one, for the fact that it was Fritz Lang's final film alone. I personally think 1,000 EYES is much better than most of Lang's Hollywood movies from the 1950s. With its themes of powerful shadowy unknown forces and sudden and inexplicable violence, it has an almost 21st Century feel to it. (What would have Fritz Lang whipped up if he was around today, in a world of drones, AI, and constant surveillance & media bombardment??) 

MABUSE LIVES!--Dr. Mabuse At CCC:1960-1964

 

This is an amazing set, released by Eureka as part of their "Masters of Cinema" series, which includes all six of the Dr. Mabuse films made in Germany by producer Artur Brauner's CCC company in the early 1960s. Each film gets a deluxe treatment, with restored picture and sound, and accompanying extras. 

Artur Brauner started up the CCC production company after World War II. Brauner was a huge film buff during his youth in Weimar Germany, and one of his biggest movie idols was legendary director Fritz Lang. Brauner was determined to bring back Lang to postwar Germany to make a film for CCC, and he managed to convince the director to remake the two-part silent epic THE INDIAN TOMB. After that Brauner wanted to bring back Lang's ultimate screen villain, Dr. Mabuse--a plan that Lang was initially hesitant to do. Nevertheless THE 1,000 EYES OF DR. MABUSE, produced by Brauner and directed by Lang, was made in 1960. Despite Lang not wishing to participate in any more adventures, Brauner continued on with an entire series of films featuring the infamous Doctor--a series that had much in common with the overall Krimi genre of crime/mystery movies containing fantastic elements that was going full steam in Germany at the time. 

For those film geeks who have seen just about every classic horror and science-fiction film there is, the Krimis are kind of a last frontier. The average Krimi contains elements of Gothic horror, detective story, gangster thriller, film noir, espionage tale, sci-fi, and murder mystery, and their stories usually have abrupt and sometimes baffling shifts of tone. The average Krimi may not make a lot of sense plot-wise, but they are quite entertaining, and have a late-night retro TV type of vibe to them. 

The six films featured in this set are the aforementioned THE 1,000 EYES OF DR. MABUSE (1960), THE RETURN OF DR. MABUSE (1961), THE INVISIBLE DR. MABUSE (1962), THE TESTAMENT OF DR. MABUSE (1962), SCOTLAND YARD HUNTS DR. MABUSE (1963), and THE DEATH RAY OF DR. MABUSE (1964). Each film is presented in its original German edit, with the proper aspect ratio and German main and end credits. The movies are spread out on four discs, with two cases holding two discs each, included in a special slipcase. 

I've watched all the films in this set at least once, except for the Italian version of THE DEATH RAY OF DR. MABUSE, which is included as an extra. Each film on this set looks magnificent, with very sharp black & white photography and excellent sound quality. The enhanced audio really brings out the music scores for each film, and, as any Krimi fan will tell you, the scores add a lot to the experience of watching movies from this genre. Each film has German and English soundtracks available, with English subtitles. 

Each movie has an introduction from Tim Lucas and an audio commentary by David Kalat. Both men are Krimi experts, and while I haven't gotten to the commentaries yet, I have viewed all of Lucas' introductions, and they efficiently set up each film for the viewer, and add much to the overall appreciation of the titles. 

There's also a few featurettes and trailers, and I will be covering these, along with the commentaries, as I write blog posts for each individual film. A 60-page booklet is also included, with full credits and stills from each film, articles on Artur Brauner and Fritz Lang, and insights and analysis on each film from Krimi historian Holger Haase. The booklet is a more than worthy bonus. 

For a long time, in America at least, the Krimis have existed in a sort of limbo. They can be found on YouTube and streaming services such as Tubi, but the quality and running times of the ones available on these sites are inconsistent, and there's not much reliable info on the Krimi genre for those (like me) who prefer to read books and magazines. With this Region A set there's hope that perhaps more Krimi deluxe editions might be on the way. Eureka has another Krimi set coming out in a couple months, this time featuring the films CCC made from the works of Bryan Edgar Wallace, son of the writer who inspired the entire Krimi genre. I intend to delve further into this set with blog posts on each individual film in the Dr. Mabuse series, but for now I can safely say that MABUSE LIVES! will most certainly be on my list for best home video releases of 2025. 

FOUR SIDED TRIANGLE On 4K/Blu-ray From Hammer

 

In my last blog post I focused on writing about FOUR SIDED TRIANGLE, the movie. Now I'll be going through the features and extras included on Hammer's 4K/Blu-ray release of the film. 

The two discs (a 4K and a Blu-ray) come in a slipcase with striking cover artwork by Thomas Walker (see above). Both discs contain the film and all the extras. 

I don't have a 4K player, but the Blu-ray presentation of the movie showcases a very sharp black & white picture (in the proper 1.37:1 aspect ratio), and the sound is very impressive. There is a choice between a 5.1 audio mix and the original mono, and in both options the sound of the various gadgets and gizmos in the main characters' laboratory come off clear and distinct.  

The extras on the discs include three featurettes, running about a half-hour each. "I Am Not Ashamed" has Lucy Bolton going into detail on the sad and short life of Barbara Payton. "In The Sticks Sci-Fi!" is made up of a conversation between William Fowler and Vic Pratt (in the back room of a pub, no less), who discuss how FOUR SIDED TRIANGLE fits into the sub-genre known as "Home Counties Horror"--terror or science-fiction stories set in small villages located deep in the heart of the English countryside. "Things to Come" has Neil Sinyard talking about FST and mentioning how it has connections to the likes of METROPOLIS, THE MAN IN THE WHITE SUIT and VERTIGO. All three programs are worth viewing and provide plenty of analysis and detail about the main feature. There's also a 15 minute stills gallery, backed by selections from Malcolm Arnold's score for the film, and trailer elements. 

Two brand new audio commentaries are included. One has Melanie Williams and Thirza Wakefield. It's the type of talk in which the participants react to what is happening onscreen. The second commentary features Hammer experts Jonathan Rigby and Kevin Lyons, and it is a much better-paced and more informative discussion, as the duo cover all the aspects of the production, with emphasis on the novel upon which the movie was based. 

The release also comes with a 116-page booklet, titled "The Hammer Sci-Files". The volume contains a mini-history of the making of FOUR SIDED TRIANGLE by Hammer historian Bruce Hallenbeck. Gavin Collinson provides an article that looks into the creation myth and how it has affected FST and various other movies over the years. There's also a 1990s interview with Hammer camera operator Len Harris, who worked on FST. A major portion of the booklet is taken up with an examination of the attempts at remaking FOUR SIDED TRIANGLE in the late 20th Century, with reproductions of select script pages from a couple of early draft screenplays. (I have to mention that what one reads from these scripts isn't all that exciting.) 

The best part of the booklet is Neil Sinyard's analysis of the original FOUR SIDED TRIANGLE novel, written by William F. Temple, and how it differs from the film. Sinyard reveals that the novel had an intriguing twist ending that the movie would have been much better off including. The booklet is heavily illustrated with stills and behind-the-scenes shots from FST. 

Finally, this release comes with reproductions of the movie's press book and ad campaign, along with a 16 x 20 double-sided poster. (Notice both versions of the poster art state that a viewer will see "the supernatural...the dead return to life", although nothing of the sort is in the actual film.) 

This is a magnificent package that Hammer has put together. I'm well aware that FOUR SIDED TRIANGLE isn't the best, or the most well-known Hammer film, but one must remember that due to the company's numerous co-production deals, the home video rights to most of their popular features are tied up with other studios. (Most of the more famous Hammers have already had special edition releases, some multiple times.) 

This is the second major 4K/Blu-ray release under the current Hammer banner. The first was CAPTAIN KRONOS, which I haven't gotten yet...mainly due to the fact that there's so much in it, I wouldn't have time to get to everything! I've bought CAPTAIN KRONOS multiple times on home video, but this is the first time I've gotten FOUR SIDED TRIANGLE. 

The nest 4K/Blu-ray release on Hammer's schedule is SHATTER, a very mediocre mid-70s attempt at a martial arts/action film. With all due respect to the folks running Hammer now, I'm going to skip that one. I do have to point out that the current Hammer team is a lot more internet savvy, and more creative promotion-wise than the people that used to run the company. They appear to have an aggressive plan to reach out and get the attention of the fans, and these extras-laden 4K/Blu-ray releases are a sure way of doing that. It appears that Hammer fanatics will have all sorts of goodies coming up in the future to spend even more of their money on. 

FOUR SIDED TRIANGLE

 

A couple days ago I received in the mail the brand new 4K/Blu-ray release of the 1952 British science-fiction film FOUR SIDED TRIANGLE, a product put out by the people now running Hammer Films. This is a magnificent package, filled to the brim with all sorts of extras and special features. There's so many things this set contains that I'm going to do something different--instead of trying to cover everything in one blog post, I'll be writing about the actual movie first, and then discussing the details of the home video release later. 

FOUR SIDED TRIANGLE, which was made in 1952, but not released until the following year, was the very first full-on science-fiction story produced by Hammer Films. It was also the first science-fiction story directed by Terence Fisher (ironically he was not a fan of the genre). The movie isn't a technical extravaganza--it's a low-budget black & white drama that has no innovative special effects. What it does have is a plot that provides plenty of food for thought. 

The story is set in a small English village called Howdean, and it is conveyed to the viewer through the town's Dr. Harvey (James Hayter). Harvey explains how two lifelong friends, Bill Leggett (Stephen Murray) and Robin Grant (John Van Eyssen), take their mutual interest in science to the ultimate level by creating a machine that can reproduce any object. Assisting them in this endeavor is another lifelong friend, the lovely Lena (Barbara Payton). The machine is a success, and the trio have all sorts of plans. Both Bill and Robin have deep feelings for Lena, but the lady chooses Robin to marry. Bill is so distraught that he decides to use this new technology to duplicate Lena and have his own version of her. Surprisingly she agrees, and the process works.....but the "new" Lena, maned Helen, comes out too well. Not only is she the perfect image of Lena, she has all her memories, and her personality traits...which means that she prefers Robin to Bill as well. Undeterred, Bill tries one more experiment to "fix" things....but it only causes disaster for those concerned. 

One thing about watching FOUR SIDED TRIANGLE on this new release is how fantastic the print looks. I don't have a 4K player, but the visual quality of the Blu-ray is stunning. FSD did not have a big budget, but this movie doesn't look cheap, and the photography (by Reg Wyer, who worked a number of times with Terence Fisher) and the art direction (by J. Elder Wills) are both impressive. In his book on Terence Fisher, Tony Dalton states that he thought the film looked shoddy, but I totally disagree with that. Bill and Robin's DIY laboratory (located in an old barn) is filled with all sorts of odd equipment, and it looks exactly like something a couple of bright guys who don't have a lot of funding would put together. Despite Hammer's low economic status, their films for the most part always looked good, and were usually technically proficient. 

FOUR SIDED TRIANGLE was based on a novel by British author William F. Temple, and one can easily understand why the story's central idea would intrigue filmmakers. If FSD does have a weakness, it's that it doesn't have the running time--or the creativity--to adequately deal with all the consequences brought about by the duplication machine. At one point it is mentioned that such a machine would have a major impact on the world's economic status, but this isn't dealt with at all. The duplication of a human being has all sorts of questions and conundrums, but the film focuses on the true four-sided triangle between Bill, Robin, Lena, and Helen. 

The very idea of a male rejected suitor duplicating a woman who doesn't love him, so he can have his own version of her, raises all sorts of flags in today's world. It's hard to believe that Lena, or any woman would agree to be part of this process--once could say that this is the ultimate example of an assault. It's to the credit of actor Stephen Murray and Terence Fisher that the character of Bill doesn't come off as a crazed psychopath. Bill isn't so much a mad scientist as a forlorn, empty man who is emotionally disabled. The movie details that Bill was the son of a abusive, drunken wastrel, and while Bill and Robin are portrayed as true and loyal friends, the latter is the son of an aristocrat who is far more socially assured than the former. One can disagree with Bill's actions while still feeling sort of sympathetic toward him. 

Bill's biggest problem is one that most scientists in these types of films experience--they don't think things all the way through. If Lena doesn't love him, why would an exact duplicate of her feel any different?? When Bill finds out that "his" Helen doesn't love him either, he decides to attempt to erase her memory (which is really Lena's memories). This idea makes one wonder--if Bill truly does love Lena, what would he want with someone who looks like Lena, but doesn't act like her?? Does Bill really just love the appearance of Lena?? Personally I feel that what Bill really wants isn't so much as to love Lena as to have Lena love him, and no amount of scientific expertise is going to make that happen. 

As for Lena, it will be surprising to some that this film is not told from her experience, but rather from the perspective of Dr. Harvey and Bill. Barbara Payton actually doesn't have all that much to do here, but she does tone down her usual blonde-bombshell tendencies. Her Lena--and Helen--appear strangely accepting of the entire situation, but one has to realize this project was written and created by straight males in the mid 20th Century. 

One positive about FOUR SIDED TRIANGLE is that Terence Fisher presents things in a straightforward, get to the point manner that avoids outlandish flourishes. It's way too easy to look at Fisher's early 1950s films and come up with connections to his later Gothic works, but if you're a Hammer fanatic you can't avoid doing so. The character of Dr. Harvey is basically an early, less-stodgy version of Paul Krempe in THE CURSE OF FRANKENSTEIN. Dr. Harvey acts as a mentor and teacher to the young Bill, as Krempe did to the young Baron in CURSE, and both Harvey and Krempe mention that their charges have vastly surpassed them in knowledge. Harvey also echoes Krempe in the way that he advises Bill against his plans, but continues to help him along nonetheless. 

At one point Bill is shown burying the result of one of his failed experiments with animals during a wind-swept night, and yes, there are plenty of swirling leaves about, a major Fisher trope. This scene would easily fit into any of the later Hammer Gothics. The laboratory sequences are edited and shot in such a way that they can't help but remind an informed viewer of similar scenes in the later Peter Cushing Frankenstein films directed by Fisher. 

The main Fisher theme that one finds here is that those who are greedy, possessive, or have unnatural desires will inevitably hurt others, and cause their own downfall. There's a lot more going on in Terence Fisher's early non-Gothic Hammers than most people realize. 

I had first seen FOUR SIDED TRIANGLE on YouTube a few years ago, and my first impressions were that it was a decent film, nothing more. Having now watched it on this special edition home video release, along with some of the fine extras discussing it, my appreciation of it has grown. It's not a great film, and it doesn't fully explore the ideas that it presents (the climax wraps things up way too easily), but it's a solid, well-told effort that makes one think--and that's about the best thing you can expect from any science-fiction tale. 

THE 10TH VICTIM On Blu-ray From Kino

 

Kino Lorber has released a new Blu-ray featuring the 1965 Italian cult science-fiction film THE 10TH VICTIM. This movie has gotten plenty of attention in recent years due to its influence on numerous films and TV shows, such as AUSTIN POWERS, THE RUNNING MAN, and THE HUNGER GAMES. 

Sometime in the 21st Century, war has been outlawed, and mankind's thirst for violence has been replaced by "The Big Hunt". Those who sign up for it are matched by computer with other players to legally hunt and kill each other. Italian Marcello (Marcello Mastroianni) is picked to be the "victim" of American "hunter" Caroline (Ursula Andress). Not only are the duo both proficient in killing and avoiding being killed, they're also well matched in physical attractiveness. The two start to fall for one another, but can they avoid their instincts to complete the hunt? 

THE 10TH VICTIM was based on a short story by American fantasy writer Robert Scheckley called "The Seventh Victim". Needless the say, plenty of changes were made to the original tale before it became a full-length feature film. (Scheckley himself was not pleased with the result.) Directed by acclaimed filmmaker Elio Petri, THE 10TH VICTIM has plenty of pop-art 1960s fad style--nearly every shot composition resembles a fashion ad or a snippet from a TV commercial. The future is presented here not through any intricate special effects, but with a certain sense of coolness and a stylized look. 

If there are any major special effects in this movie, they would have to be Ursula Andress and Marcello Mastoianni. There's a coldness, however, in their combined beauty--one doesn't believe that their characters have any deep feelings for anyone (at one point Caroline refers to herself as an iceberg). One could say that the duo are so detached with their perfect looks that they deserve one another. They're certainly eye candy, but it's hard for a viewer to be all that involved in their plight. More eye candy is provided in the form of Elsa Martinelli, who plays Marcello's high-maintenance mistress. 

The satirical aspects of a futuristic society that legalizes hunting other human beings are laid on pretty thick, but this is a society that isn't really delved into with any depth. The entire movie is more style than substance, but there are plenty of highlights for film geeks, such as the iconic opening sequence where Ursula Andress uses a "bullet bra" to kill someone, a cameo appearance by the space suits from Mario Bava's PLANET OF THE VAMPIRES, and pistol and rifle sound effects that are the same that can be heard in dozens and dozens of spaghetti westerns. 

Kino states that this Blu-ray features a 2K restoration of the film, and it is a fine-looking, colorful print (and Ursula Andress is absolutely devastating in HD). This print carries the Italian title LA DECIMA VITTIMA, with Italian main & end credits. Two audio tracks are included--the original Italian with available English subtitles, and an English dub track. (The Italian is much superior.) 

A brand new audio commentary is featured on this disc. The Blu-ray case states that the talk is by Steve Mitchell, Howard S. Berger, and Nathaniel Thompson.....but actually it's Mitchell and Euro Cult expert Troy Howarth. The duo give a wide-ranging and informative discussion that covers the careers and the star power of the three main actors at the time of the production, and they also detail what impact international cinema was making in America during the 1960s. 

Included on this disc is a 30 minute program with Elio Petri's widow and film expert Kim Newman. Mrs. Petri gives some behind-the-scenes info on THE 10TH VICTIM, including the fact that producer Carlo Ponti didn't like scinece-fiction (or the director), while Newman gives insights and analysis on Petri's film making career. Kino has also included the original Italian and American trailers for the film, and a comparison of the two shows how different the movie was looked at on both sides of the Atlantic. 

THE 10TH VICTIM will appeal more to film geeks than a regular audience. It feels more like a magazine layout than a science-fiction story--it's about as Sixties Mod as you can get. 

NORTHWEST PASSAGE On Blu-ray From Warner Archive

 

Warner Archive once again presents a magnificent restoration of a classic Technicolor Hollywood film with their Blu-ray release of MGM's NORTHWEST PASSAGE (1940). 

NORTHWEST PASSAGE is one of the great historical epics of the pre-World War II sound era, and it is one of the very few films concerning the French & Indian War. Set in 1759, the movie tells the story of an expedition undertaken in northern New England by Roger's Rangers, a group of irregular warriors led by Major Robert Rogers (Spencer Tracy). The group, fighting for the British Crown, ventures North into the wilderness to attack an Abenaki Indian village. 

The obstacles and privations the Rangers deal with are vividly detailed--by the end of this movie, the viewer feels as tired and as hungry as any of the men onscreen. Most of the film was shot on location in Idaho, and director King Vidor went to great lengths to show what the Rangers had to go through. The result is one of the more brutal pictures from the classic Hollywood period--the locations look amazing on this Blu-ray, but there's nothing romantic about the Rangers' experiences. 

Spencer Tracy gets one of his best roles as the determined and no-nonsense Major Rogers, and Robert Young and Walter Brennan play two civilians who join up on the forbidding adventure to escape trouble at home. The real stars of this film are nature and the elements--this is one classic studio film set in the past where it really does feel you are experiencing something that happened long ago, without any modern intrusions. 

NORTHWEST PASSAGE was released on DVD by the Warner Archive Collection a few years ago, but the image was soft, and the colors dull and faded. This Blu-ray is a marvelous improvement--the colors really pop, and there's plenty of fine detail visually. While watching this disc one can understand why this was one of MGM's most expensive productions at the time. The DTS-HD sound is full and distinct. 

The only extras on the Blu-ray are a vintage trailer (which shows how bad the movie looked over time) and a short black & white promotional feature from MGM that is essentially a commercial for the film. The promotion is relevant due to the fact that it shows behind-the-scenes footage of the making of NORTHWEST PASSAGE, with glimpses of King Vidor and Spencer Tracy on the set. 

Warner Archive has put out a number of fantastic looking Technicolor features on Blu-ray recently, and NORTHWEST PASSAGE is a worthy addition to the list.