Saturday, June 12, 2021

CASTLE OF THE LIVING DEAD On Blu-ray From Severin

 




Severin's THE EUROCRYPT OF CHRISTOPHER LEE Blu-ray box set features the first authorized home video release of the 1964 film CASTLE OF THE LIVING DEAD. The movie was filmed in Italy, but the main creative forces behind it, producer Paul Maslansky and writer/director Warren Kiefer, were Americans. 

Somewhere in Napoleonic Europe, a traveling theatrical troupe is asked to preform for a strange man named Count Drago (Christopher Lee). The troupe arrives at Drago's remote castle and finds that the Count is something of a scientist. He's perfected a way to preserve animals--and now he's attempting to do the same thing to human beings, and he's determined to have the members of the troupe "assist" in this endeavor. 

Despite its late-night spook show reputation, CASTLE OF THE LIVING DEAD has a definite art-house feel to it, mainly due to the atmospheric black & white cinematography by Aldo Tonti. There's almost no gore or sudden shocks, and the story has an almost languid pace to it. The soundtrack music by Angelo Lavagnino (which is on a CD included with the Blu-ray) adds to the eclectic mood. 

The role of Count Drago is one of the best that Christopher Lee played during what is called his mid-1960s European period. The Count is not a vampire, or a supernatural creature...he's a rather eccentric scientist who is a genial if austere host. Lee makes a major impression as Drago without going overboard. Thankfully the actor was able to dub in his own voice for this production. 

CASTLE OF THE LIVING DEAD is also notable for being the film debut of Donald Sutherland, who actually plays two roles. His main character is a gendarme who comes off like a 19th Century Barney Fife, and he's also an old witch. Even in the early part of his career Sutherland (whose own voice is used for the gendarme role) is able to always draw the viewer's attention. Euro Gothic veteran actor Luciano Pigozzi (the Italian Peter Lorre) has a small but important role. Future cult director Michael Reeves was also involved in this film as an assistant (but he didn't have as much influence on it as some film geeks think). 

The disc case for this Blu-ray states that this is the original uncut version of CASTLE OF THE LIVING DEAD, and that it has been scanned in 4K. The picture quality is excellent, as is the sound. The original soundtrack CD has excellent audio quality as well. The disc case also shows that the disc is coded A,B, and C. 

Severin has provided plenty of worthy extras for this movie. There's an interview with producer Paul Maslansky that lasts about an hour long, and covers his entire career in this film industry. It's a very rambling talk--Maslansky has plenty of intriguing stories to tell, but it takes him a while to get to the point. Another program has Italian film historian Roberto Curti discussing the life and work of Warren Kiefer. Curti dispels the various rumors that have cropped up about Keifer over the years. Kiefer did exist, he was an American, and yes, Donald Sutherland named one of his sons after him. 

There's also two new audio commentaries. Nathaniel Thompson and Troy Howarth provide a lively discussion in which they examine the various urban legends that have sprung up about the film, and they cover numerous aspects of Christopher Lee's film career. The other commentary, which I have not listened to yet, is by Kat Ellinger. 

CASTLE OF THE LIVING DEAD is a film that has long deserved a proper official home video release. It has a far different vibe than most low-budget fantastic films made during this period, and it's a treat for Christopher Lee fans. If Severin had just released this as a standalone disc, it would be a big deal--but it's part of a set that contains several goodies relating to Christopher Lee. 

1 comment:

  1. This is a good film and I enjoyed watching it in its remastered condition. I wonder why the main theme played during the credits is the same theme from Castle of Blood aka Danza Macabra (1964), which was composed by Ritz Ortolani? This music is also used on the Sinister Cinema release. Maybe the producers ran out of money. I've listened to the Thompson/Howarth commentary, but not the other one. Maybe Kat Ellinger has an explanation.

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